minsk a écrit:
JohnnyTheWolf a écrit:
Que Shériff Nazi traite Rambo comme une merde parce qu'il est un vétéran rend les choses encore plus grotesque.
C'est parce que c'est un vagabond qu'il l'emmerde.
Ça fait un moment que j'ai pas vu le film, mais il me semble qu'il finit par l'apprendre, soit par Rambo, soit par Trautman. Du coup, rien n'explique son obsession ou encore le fait que personne ne remet son jugement en question, à part Trautman. D'autant plus que Rambo essaie de se rendre à plusieurs reprises dans la première moitié du film.
D'ailleurs, quand il est arrêté, notre vétéran bourrin préféré ne porte-t-il pas une veste kaki avec les insignes du Vietnam?
* * *
Oh, et j'ai trouvé ça sur la page Wiki du roman
First Blood :
Citer:
The book condemns the war in Vietnam and asserts that it had many adverse effects on soldiers who served there. It focuses on the acts of violence that Rambo commits and calls attention to the instinctive nature of these acts. This is especially evident in the portrayal of how Rambo and Police Chief Teasle come to respect - even like - each other, but are driven to continue fighting. Both men are incapable of compromise because they have been shaped by the wars they fought in. Teasle is portrayed as being as much of a victim of the Korean war (and his subsequent police career) as Rambo is of Vietnam.
[...]
The movie First Blood severely alters the theme of the book by making Rambo more sympathetic and demonizing the police and national guard. By never having Rambo directly kill any of the police officers and their deaths being brought about by their own maniacal desire to capture Rambo, there is a complete role reversal. This reversal propels Rambo into the seat of hero instead of that of the cold-blooded killer that he was in the novel. In the film, he is given the first name John. The ending is also drastically changed; in the novel, Trautman kills Rambo and Teasle dies, but in the film, Rambo (on the verge of killing Teasle with a coup de grâce) surrenders to Trautman, and Teasle is taken away by ambulance, presumedly to survive his wounds.
C'est dire que le film est carrément politiquement correct comparé au livre.